The Phenomenon: A brief review

In the next few hours a new documentary film about unidentified aerial phenomena—a.k.a. UFOs—and close encounters is going to be released. It's called The Phenomenon, by director James Fox. I have had the privilege of watching it a few days before launch, so I could share my views on it with you. What follows are my unbiased opinions. I am under no contractual obligation to issue a review and have no financial stake at all in the film or this review.

James Fox has clearly been working on this film for years, following his previous documentary on the subject, Out of the Blue (2003). As we have come to expect from him, The Phenomenon is a serious, cautious, level-headed work. James's strength is not so much in breaking news on the subject, but in thoroughly examining—under the light of reason and evidence—what is already known, filtering out the abundance of garbage, gullibility, hysteria and nonsense that, unfortunately, prevails in this field. Just like before, he serves us a distilled summary of what is reliable and significant—yet no less astounding—about the phenomenon.

In addition, James has once again proven himself able to dig one layer deeper than the rest, exploring the subject from more telling—albeit non-traditional—angles. His revisitation of the 1966 Westall school incident in Australia, and the 1994 Ariel school event in Zimbabwe, are cases in point. Both are examples of close encounters involving dozens of witnesses. In both cases, the narrative clearly transcends the common storyline of aliens from another solar system dropping by for some kind of research purpose. James has managed to bring back the direct witnesses of these events, decades later, and re-interview them with the insights of today. This was just about what I had wished someone would do; and he did it.

The most significant part of the movie is—without a doubt, in my mind—the examination, at the Stanford School of Medicine, of metal samples collected from alleged UFO visitation sites by respected researcher Dr. Jacques Vallée, over decades of investigation. This is the much hoped-for hard evidence. An analysis of the atomic structure of these samples was conducted with a state-of-the-art ion beam microscope, which yielded surprising results: the isotope ratios in these samples are unlike anything known to occur on Earth. Such a finding may sound too highbrow to be significant—especially in light of the much more incredible claims routinely made in this field by suspicious characters—but it certainly is. In fact, my only criticism against the film is that James—perhaps in a concession to mainstream tastes and expectations—hardly explores the finding in the final cut. The subject was left behind just as I thought we were warming up to it. Perhaps we will read more about it in academic publications, but I confess to have been annoyed at the brevity of the coverage of what was perhaps the one truly new news in this film.

If your interest lies in new UFO and close encounter cases never before reported, this film is going to disappoint you. Breaking news is not what James is trying to achieve here. But if, instead, you are looking for a more thoughtful review of previously reported cases, then this is for you. More than probably any other subject of general public interest, the UFO field is fraught with nonsense, charlatanism, fraud, gullibility, wishful thinking, and in-your-face idiocy. Although I have always been interested in the subject, I very quickly become nauseated by what I find each time I dare dip a toe in it. James's movies, however, are refreshing; they represent a breath of fresh air in a foul-smelling mad house. This is the great value of his and Vallée's efforts: a welcome injection of reason and honesty in an otherwise toxic space.

In this context, The Phenomenon subtly and unpretentiously distills what is credible and significant in the long history of unidentified aerial phenomena and close encounters, serving the viewer a clean platter, freed from trash and nonsense. James has left out not only the nonsensical or questionable cases, but also the nonsensical or questionable elements of the cases he does cover. Parasitic claims and 'witnesses' that feed on otherwise credible events are, to my relief, nowhere to be seen. This judicious filtering clearly involved a lot of care and thought, having been accomplished discretely, elegantly, without furor. Indeed, it is delightful the see the film's narrative steer clear of every mine in the field. What is left may not be as spectacular as the vivid imagination of charlatans, but it remains extraordinarily interesting for the more discerning and levelheaded tastes. The value of this documentary thus resides as much in what it doesn't say as in what it does say. Such discernment makes it rather unique.

As a matter of fact, although UFO and close encounter cases have obvious scientific significance, I believe they have even more metaphysical significance. I say this because the phenomenon seems to defy not only the limits of our technology, but also the laws of physics and—even more significantly—the laws of logic. Many of these reports are absurd, their very absurdity speaking to the sincerity of the witnesses and the courage of those who are now making the hard evidence available, as well as acknowledging the bewilderment of the highest instances of government. The Phenomenon does include what many of you will consider headline-making new admissions by well-known, high-ranking government officials and politicians. But for me this is not the cream; the cream is how the cases reported consistently instantiate the seemingly absurd features I discussed in my book, Meaning in Absurdity, where I cover the UFO and contact phenomena from an angle you are certainly not used to: nonsensical flight paths and movements, weird angles of attack in flight, alleged telepathic communications more akin to spiritual experiences than encounters with explorers from another planet, illogical behavior on the part of the 'visitors,' etc. There is much food for thought in there.

It is this absurdity of behavior so often seen in the phenomenon that makes me believe that its relevance is as much metaphysical as it is scientific. Here we have nature behaving in a way that defies its own known laws and our very logic. The phenomenon is telling us something important about the nature of reality and ourselves, rather than the exploratory interests of aliens from another star system. And it is under this light that I invite you to check out The Phenomenon. For the more significant hints about the nature of reality are to be found not in the headlines, but the subtle aspects of what is, most definitely, a very strange phenomenon indeed.